Ten Years After Rising to new heights...
& then the break up

1970

17 . 04 . 1970

Cricklewood Green

Album | Ten years After
Comprising solely of Alvin Lee compositions, the album ranges over blues, rock, and even country and western. It featured a full studio version of their single “Love Like a Man” and other tracks such as “Me And My Baby” and “50,000 Miles Beneath My Brain”.

05 . 1970

Love Like a Man

Single | Ten years After

Ten Years After released “Love Like a Man”, the group’s only hit in the UK Singles Chart, where it peaked at #10. It was the first record issued with a different playing speed on each side. The A-side of this single is to be played at 45 rpm whilst the B-side a live version of the song recorded at Bill Graham’s Fillmore East is to be played at 33⅓ RPM.

Fillmore East

The band was out on tour again. When the announcement was made that the group would be appearing at the Fillmore East, there was a rush on the box office that within one day pressed the management to provide two extra shows to accommodate the hordes of fans.

“The Woodstock of the South”

In July they performed at the second Atlanta International Pop Festival which was billed as “The Woodstock of the South”. It was a three day festival which also featured, Jimi Hendrix, The Allman Brothers Band, Leslie West and Mountain, Procol Harum, Ginger Baker’s Airforce, Jethro Tull, The Chambers Brothers and many more artists.

Country’s Top-Earning Rock Band

The band is reportedly the top-earning rock band in the country with only Led Zeppelin and the Rolling Stones listed as the only two other bands that would outsell them at the time. At the time they were playing top festivals such as the Strawberry Fields Festival near Toronto which almost didn’t happen after the Canadian government tried to shut down the festival twice.

The Isle of Wight Festival

The largest musical event of its time which is now famed for Jimi Hendrix’s iconic performance three weeks before his death. Ten Years After were one of the headliners on the Saturday of the event. Their set list included Love Like A Man – Good Morning Little School Girl – No Title – Hobbit – Classical Thing – Scat Thing Intro – I Can’t Keep from Crying Sometimes – I’m Going Home-Sweet Little Sixteen. An estimated 600,000 to 700,000 people were in attendance.
Watt, Ten Years After, 1970
1970s

Watt

Album | Ten years After

The group played Madison Square Garden, were banned from playing London’s Royal Albert Hall and then released Watt. The album was recorded in September 1970 except for the last track, a cover of Chuck Berry’s “Sweet Little Sixteen”, which is a recording from the 1970 Isle of Wight Festival.

“Anywhere you go in the world is what you make of it, not what you read in books.” ~ Alvin Lee

1971

Ten Years After, 1971

I'd Love to Change the World

Written by Alvin Lee, I’d Love to Change the World was released as a single in September 1971. The band’s only US Top 40 hit, it peaked at number 40 on the Billboard Hot 100. Filled with acoustic guitar, echoing vocals, and building electric guitar, Matthew Greenwald of Allmusic highlighted Lee’s guitar work as the “most expressive—and most tasteful—electric guitar performance of his career”, and added, “If there is a single song that can describe the overall vibe of the counterculture in 1969/1970, this may very well be it.”

Ten Years After, 1971
10 . 1971

A Space in Time

Album | Ten years After
The band started their sell-out tour of the UK again after 18 months away touring abroad. They also switched labels to Columbia Records in the US and Chrysalis in the UK. They also released the hit album A Space in Time which featured the single “Baby Won’t You Let Me Rock and Roll You” and the group’s biggest hit, “I’d Love to Change the World”. Less ‘heavy’ than previous albums with more acoustic guitar it was praised for their most sensitive and lyrical music to date.

The First Great Rock Festivals of the Seventies

Ten Years After were featured on the Record Set The First Great Rock Festivals of the Seventies: Isle of Wight – Atlanta Pop Festival. Two of the three discs in this collection were recorded at the Isle of Wight Festival and the other disc was recorded at the Atlanta Pop Festival, both in 1970 capturing their iconic performances at both of the iconic events. Throughout this time they were once again touring Europe and the US with massive concerts across the continents.

“The sad thing about Woodstock, it seemed it was the peace generation coming together and then they all went home, and never got together again. It dissipated afterwards.” ~ Alvin Lee

1972

Alvin Lee & Company

LP | Ten years After
In spite of Ten Years After’s wishes, Decca Records released “Alvin Lee & Company” from the tracks they could control after Ten Years After switched labels. A collection of songs that didn’t make it onto the studio albums during the 1967-1969 period it features six tracks, the last one being a mini-jam-session called, “Boogie On”.

Festival Headliners

A Space In Time became the band’s first gold disc and stayed on the charts for nearly half a year. The band toured even more and headlined Reading Festival for the first time.
09 . 1972

Rock & Roll Music to the World

Album | Ten years After

In May, Ten Years After played three dates in Japan at Nippon Budokan Tokyo, Japan and Koseinenkin Hall Osaka, Japan along with Procol Harum. September saw time for the release of Ten Years After’s next official album “Rock & Roll Music to the World”. It featured favourites such as “Standing at the Station”, “Choo Choo Mama”, and the title track. The tracks exemplified Alvin Lee’s rockabilly approach to blues.

“Back in those days, we thought we could change the world” ~ Alvin Lee

1973

07 . 1973

Ten Years After Recorded Live

Album | Ten years After

Recorded in various European locations including Amsterdam, Rotterdam, Frankfurt and Paris. The album covered two LPs and captured the show–stopping sets, that made them one of the most popular bands in the United States at the time. Recorded by the Rolling Stones Mobile Unit it featured some of their biggest hits, like “I’m Going Home” – “Choo-Choo-Mama” – “I Can’t Keep From Cryin´ Sometimes” – “Help Me” and “Good Morning Little School Girl”.

This album is a faithful recording of Ten Years After with no over-dubs or additives. What you hear is what happened on the night. Recorded over four nights in Amsterdam, Rotterdam, Frankfurt and Paris with the Rolling Stones recording truck and later mixed from sixteen track to stereo at Olympic Studios in London.

Space Studios

Lee also created his own modern luxury recording studio out of an old barn on the grounds of his five hundred year old house in Oxfordshire – the original Space Studios. Designed and built by musicians, rather than technicians, it took six months to complete and was immediately put to work starting with a big session for an LP featuring Alvin Lee, Ian Wallace, Mel Collins, Boz Burrell and American musicians, Mylon LeFevre, Alan Toussaint and Felix Pappalardi.

02. 11 . 1973

On the Road to Freedom

Album | Alvin Lee & Mylon LeFevre

1973 also saw Alvin Lee’s first studio album away from Ten Years After. Recorded with American gospel singer Mylon LeFevre at home at Space Studios. The album featured guest appearances on tracks from the likes of George Harrison, Steve Winwood, Jim Capaldi, Ron Wood and Mick Fleetwood all members of the “Thames Valley Gang”. Featuring the singles “Fallen Angel” and the Harrison-composed “So Sad (No Love of His Own)” it was a new musical direction for Lee and was critically acclaimed for being at the forefront of country rock.

Jerry Lee Lewis’s The Session... Recorded in London with Great Artists

In January of 1973, Jerry Lee Lewis flew to London to record with a host of talented gifted British and Irish musicians, including Rory Gallagher, Kenney Jones, Albert Lee, Peter Frampton, Gary Wright, Klaus Voormann and of course Alvin Lee. It was Lewis’s highest pop charting album since 1964’s Golden Hits of Jerry Lee Lewis, hitting number 37 and rising to number 4 on the Country Albums chart.

“I just play to the people I can see. So it’s almost like you are playing to the first few rows of the crowd.” ~ Alvin Lee

1974

22. 03 . 1974

In Flight

Album | Alvin Lee & Company

One night when Alvin Lee was visiting George Harrison’s home and chatting with Harrison’s advisor Terry Donan. Donan insisted that most musicians don’t possess enough independence to follow a direction of their own choosing.

“Well,” said Lee “I can choose to do whatever I want, whenever I want to do it.” Donan called his bluff. In response, Lee formed Alvin Lee & Company to play a show at the Rainbow Theatre in London in March 1974. The band comprised of bassist Alan Spenner, and guitarist Neil Hubbard (both former Grease Band members), ex-Vinegar Joe keyboards player Tim Hinkley, and two ex-King Crimson men, Mel Collins (horns) and Ian Wallace (drums), vocal backing were by Kokomo. Paul McCartney, George Harrison, and Rod Stewart were all in attendance and the set was recorded and released as a double live album.

04 . 1974

Positive Vibrations

Album | Ten years After
Despite rumours of a split Ten Years After released “Positive Vibrations” in April 1974. Filled with smooth boogie the album was recorded at Lee’s “Space Studios” and featured tracks such as “It’s Getting Harder”, the title track “Positive Vibrations”, “Stone Me”, “I Wanted To Boogie” and “Look Me Straight Into The Eyes”.

The Break Up

After 8 years, 8 studio albums, 3 live albums and 28 American tours (which was more US tours than any other band in the entire UK at the time) Alvin Lee announced the split of Ten Years After.

“It’s always been something I’ve been searching for – freedom. It’s a very relative thing. It means different things to different people.” ~ Alvin Lee

1975

Alvin Lee & Company US Tour

To kick off the new year Alvin Lee took Alvin Lee & Company on a tour of the US and Britain before then touring with Ten Years After for their 28th and last U.S. tour. Chrysalis also put out a compilation album representing the first three years in the life of Ten Years After from their beginning playing small British clubs, to the peak of their worldwide acclaim at the legendary Woodstock Festival called “Going Home! Ten Years After Their Greatest Hits”.

This is the year that Lee also famously drove his motorcycle Evel Knievel style off a 20ft ramp at 30mph into a swimming pool. The stunt was for an “Old Grey Whistle Test Film” and miraculously he walked away with no injuries, it was only afterward when he attempted to ride a cow and fell off that he got some bruised ribs and a few torn ligaments.

12. 09 . 1975

Pump Iron!

Album | Alvin Lee

Originally called “Let The Sea Burn Down” Alvin Lee’s second solo album “Pump Iron” was released on the 12th September 1975. ​​Hard-rocking but richly varied this was Lee’s first studio set after the break up of Ten Years After and featured various members of the band that made up Alvin Lee & Company. In late 1975, Lee also played guitar for a couple of tracks on Bo Diddley’s The 20th Anniversary of Rock ‘n’ Roll all-star album.

Did you know? The cover art of “Pump Iron,” features Lou Ferrigno, two years before he found fame in the 1977 TV series The Incredible Hulk

1976

The Alvin Lee Band

1976 was another year of touring for Alvin Lee & Company however the & Company had been totally revamped and the name changed to “The Alvin Lee Band”. The band now featured Lee on lead guitar and vocals, Tim Hinkley on keyboards, Bryson Graham from Spooky Tooth on drums and Andy Pyle on Bass. In between live dates, Lee released the single “Sea Of Heartbreak”.

1978

12. 09 . 1978

Let It Rock

Album | Alvin Lee

Alvin’s next solo album came in 1978, the driving “Let It Rock”. Alvin Lee always works with red-hot drummers and this album features the work of American funkster John Susswell who was visiting England when Alvin was creating this album. The classic stylings of Lee and the funky rhythm section that includes stalwart bass player Alan Spenner work to create awesome tracks like ‘Chemicals, Chemistry, Mystery & More’.

Ten Years Later

After a long time stuck in the studio, Lee started to miss the road and in 1978 Alvin Lee created a new outfit, a trio named Ten Years Later. This ironically named band saw virtuoso Lee on guitar, vocals with Mick Hawksworth on bass and Tom Compton on drums. They kicked off their life with a tour of Europe and the US playing Ten Years After favourites before getting into the studio to record their debut album.

15. 09 . 1978

Live at Rockpalast

Album | Alvin Lee & Ten Years Later

On the 15th September 1978 at the Grugahalle in Essen, Germany Alvin Lee played Rockpalast’s Third Rocknacht (‘Rock Night’) where he was one of three acts (the other two being Peter Gabriel and Paul Butterfield). It was Lee’s only Rockpalast appearance and he performed with fellow Ten Years Later bandmates Tom Compton and Mick Hawksworth. The entire show was taped and several songs were broadcast on the “Rockpalast Music Television Program” Alvin Lee post-show commented: “The best TV show I ever appeared in.” The concert was also released as an album in 2013.

1978

Rocket Fuel

Album | Ten years Later
A highly energetic and dynamic album that mixes blues, rock, and jazz influences “Rocket Fuel” is filled with explosive energy and electrifying guitar riffs. This album blends different genres effortlessly to create a timeless and innovative sound. The bluesy influence can be heard in tracks like “Midnight Special” and “Funky Jam,” while songs like “Riffin'” and “Shotgun Blues” have a more rock-oriented edge. Other standout tracks include “Gonna Turn You On” and “Let’s Get Back,” which showcase Lee’s versatility as both a guitarist and vocalist.

1979

15. 09 . 1979

Ride On

Album | Ten Years Later

Alongside more extensive touring Ten Years Later continued their driving return to rock with their second album. An incredible mix of studio and live recordings taken from their tours, it perfectly captures the band letting rip on new numbers and classics. Capturing the feel of early Ten Years After they produced rock that’s stripped to the bone and played with a real blues feeling.